Internationale Kurzfilmtage Oberhausen

Profiles

Apart from the major subject-related THEME, the Festival has presented through the years also PROFILES of important filmmakers and institutions, some of whom have dealt with the short form for decades.  

 

Contact: Eva Hegge


Alexander Sokurov

 

He is one of the most important and influential filmmakers of our time. In 1990 he first attracted international attention with Sovetskaja elegija, for which he won the Grand Prize at Oberhausen; he went on to win a number of awards for feature films such as Moloch (1999) or Russian Ark (2002). The Festival now offers a rare opportunity in six programmes to get to know Sokurov's extensive early short film oeuvre: documentary works in which the boundaries between fiction and essay are blurred, which examine the relationship between individual and power, which deal with recent history in long shots and rich poetic imagery. In addition, Sokurov is giving a Master Class in Russian and German in Oberhausen (prior registration required, details from March onwards at www.kurzfilmtage.de).

Sokurov

Duchovnye Golosa (Spiritual Voices) ©Alexander Sokurov

 

Duchovnye Golosa (Spiritual Voices), Alexander Sokurov, Russia, 1995, 327'00"

free admission

 

Thu, 2 May - Sun, 5 May, 18:00 h

and Mon, 6 May, 12:00 h

Lichtburg Filmpalast/Studio

Sokurov 1

Terpenie trud © Alexander Sokurov

 

Marija, Alexander Sokurov, Soviet Union, 1978-88, 41'00"

Terpenie trud, Alexander Sokurov, Soviet Union, 1985-87, 10'00"

Razžalovannyj, Alexander Sokurov, Soviet Union, 1980, 31'00"

 

Thu, 2 May, 17:00 h

Lichtburg Filmpalast/Lichtburg

Sokurov 2

Žertva večernjaja © Alexander Sokurov

 

 

Žertva večernjaja, Alexander Sokurov, Soviet Union, 1984-87, 35'00"

Primer intonacii, Alexander Sokurov, Soviet Union, 1991, 48'00"

Prostaja elegija, Alexander Sokurov, Soviet Union, 1990, 20'00"

 

Thu, 2 May, 22:00 h

Lichtburg Filmpalast/Lichtburg

Sokurov 3

Sonata dlja Gitlera © Alexander Sokurov

 

Sonata dlja Gitlera, Alexander Sokurov, Soviet Union, 1978-88, 11'00"

followed by a film talk with Alexander Sokurov

 

Sat, 4 May, 14:30 h

Lichtburg Filmpalast/Gloria

Sokurov 4

Sovetskaja elegija © Alexander Sokurov

 

Sovetskaja elegija, Alexander Sokurov, Soviet Union, 1989, 37'00"

Vostočnaja èlegija, Alexander Sokurov, Russia, 1996, 45'00"

 

Sun, 5 May, 22:00 h

Lichtburg Filmpalast/Lichtburg

[Translate to Englisch:] Sokurov 5

Ampir ©Alexander Sokurov

 

Ampir, Alexander Sokurov, Soviet Union, 1987, 32'00"

Elegija, Alexander Sokurov, Soviet Union, 1986, 30'00"

Rober. Sčastlivaja žiznʹ, Alexander Sokurov, Russia, 1996, 26'00"

 

Mon, 6 May, 12:30 h

Lichtburg Filmpalast/Gloria

n Sokurov 6

Soldatskij son © Alexander Sokurov

 

Èlegija iz Rossii, Alexander Sokurov, Russia, 1992, 68'00"

Soldatskij son, Alexander Sokurov, Russia, 1995, 12'00"

 

Mo, 6 May, 14:30 h

Lichtburg Filmpalast/Gloria


Kiri Dalena

Tungkung Langit ©Kiri Dalena

 

 

The Filipino artist and filmmaker, whose works have repeatedly been shown in Oberhausen, is still something of an international discovery. Dalena’s approach is both documentary and experimental; she works with photography, sculpture and film. Her themes are social injustice and human rights violations, especially in the Philippines.

Mag-uuma, Kiri Dalena, Philippines, 2014, 2’06”

Life Masks, Kiri Dalena, Philippines, 2018, 1’07”

Red Saga, Kiri Dalena, Philippines, 2004, 15’32”

Erased Slogans, Kiri Dalena, Philippines, 2008, 1’00”

Tungkung Langit, Kiri Dalena, Philippines, 2013, 20’35”

Recent Slogans, Kiri Dalena, Philippines, 2014, 0’44”

In Our Own Image, Kiri Dalena, Philippines, 2015, 0’30”

Gikan sa Ngitngit nga Kinailadman, Kiri Dalena, Philippines, 2017, 23’04”

Requiem for M, Kiri Dalena, Philippines, 2010, 7’00”

 

 

Sat, 4 May, 10:30 h

Lichtburg Filmpalast/Lichtburg


Kayako Oki

Textilm vol.01 © Kayako Oki

Kayako Oki


The work of the Japanese artist and filmmaker is marked by her study of textile design - she treats her Super 8 films like textile material, dyes, cuts and layers, as in Shades of Safflower-dyed Celluloid, which was screened in competition in Oberhausen in 2016. Her approach is always documentary. The Festival is showing a selection of her works for the first time in Europe.

Textilm vol.01, Kayako Oki, Japan, 2011, 11'00"

fingerprint, Kayako Oki, Japan, 2012, 5'00"

weave, Kayako Oki, Japan, 2012, 3'00"

dye, Kayako Oki, Japan, 2019, 5'30"

Hikari tsumugi, Kayako Oki, Japan, 2012, 3'00"

Amarylis orugōru, Kayako Oki, Japan, 2013, 4'00"

boro, Kayako Oki, Japan, 2014, 2'50"

Benibana no Kageirozome, Kayako Oki, Japan, 2015, 10'00"

Ai ni yuku tsubu no koe, Kayako Oki, Japan, 2016, 10'00"

Träumerei, Kayako Oki, Japan, 2019, 5'30"

 

Fri, 3 May, 19:30 h

Lichtburg Filmpalast/Gloria


Eva Stefani


Eva Stefani, who has been making films since the 1980s, gained international renown when she took part in documenta 14 in Athens in 2018 with Hirografo, for which she was also awarded the Principal Prize in Oberhausen. The Festival presents the cinematic works of the artist, who, along with two others, will be featured in the Greek Pavilion of the Venice Biennale in 2019.

Eva Stefani 1

Athinai © Eva Stefani

 

Reithra, Eva Stefani, Greece, 1988, 10'00"

The Kiss, Eva Stefani, Greece, 2007, 4'00"

Virgin's Temple, Eva Stefani, Greece, 2017, 3'00"

Athinai, Eva Stefani, Greece, 1995, 36'00"

Manuscript, Eva Stefani, Greece, 2017, 12'00"

 

Fri, 3 May, 12:30 h

Lichtburg Filmpalast/Gloria

Eva Stefani 2

Egertirion / (Wecksignal) © Eva Stefani

 

 

Acropolis, Eva Stefani, Greece, 2001, 25'00"

The Box, Eva Stefani, Greece, 2004, 11'00"

Egertirion / (Wecksignal), Eva Stefani, Greece, 2001, 3'00"

What Time Is It?, Eva Stefani, Greece, 2007, 26'00"

 

Sun, 5 May, 10:30 h

Lichtburg Filmpalast/Lichtburg


A list of previous profiles:

Sandor Aguilar (2017), Eija-Lisa Ahtila (2000), Victor Alimpiev/Olga Stolpovskaya (2006), Wojciech Bakowski (2014), Craig Baldwin (2000), Guy Ben-Ner (2007), Majoleine Boonstra (2007), Louise Botkay (2018), Linda Christanell (2012), Raquel Chalfi (2016), Jem Cohen (2001), Josef Dabernig (2016), Amit Dutta (2010), Nicolás Echevarría (2009), Heinz Emigholz (2001), Factory of Found Clothes (2009), Helga Fanderl (2013), Jeanne Faust (2016), Herbert Fritsch (2009), Karpo Godina/Želimir Žilnik (2002), Marina Grižnić/Aina Šmid (2003), Bert Haanstra (1998), Anne Haugsgjerd (2016), Stefan Hayn (2005), James Herbert (1999), Yamada Isao (2004), Ito Takashi (2015), Ken Jacobs (1996), Jim Jennings (1998), William E. Jones (2011), Larry Jordan (2001), Aryan Kaganof (2014), Kanai Katsu (2007), Patrice Kirchhofer (2008), Ken Kobland (2007), Eva Könnemann (2018), Andrew Kötting (2008), Petar Krelja, Krsto Papic und Zoran Tadic (2013), Grzegorz Królikiewicz (2011), Mark Lewis (2005), Salomé Lamas (2018), Dušan Makavejev (2003), Mara Mattuschka (2014), John Maybury (2002), Bjørn Melhus (2017), Deimantas Narkevicius (2014), Erkka Nissinen (2015), Matsumotu Toshio (2009), Münchner Gruppe: Klaus Lemke/Rudolf Thome/Max Zihlmann (2003), Gunvor Nelson (2010), Robert Nelson (2006), Vera Neubauer (2012), Ho Tzu Nyen (2013), No Wave (2010), Jayne Parker (2004), Miranda Pennell (2006), Ilppo Pohjola (2012), Luther Price (2013), Laure Prouvost (2013), William Raban (2015), Jennifer Reeder (2015), Lis Rhodes  (2008), Jósef Robakowski (2005), Roee Rosen (2012), Roter Hahn 1907 (2011), Larissa Sansour (2017), Sarajevo Documentary School (2009), Boris Schafgans (2006), John Smith (2002), Barbara Sternberg (2017), Sun Xun (2016), Jaan Toomik (2017), Robert Van Ackeren (2001), Mona Vătămanu und Florin Tudor (2018), Vipin Vijay (2015), Laura Waddington (2005), Orson Welles (2000), Joyce Wieland (2002), Charles Wilp (2001), John Wood & Paul Harrison (1999), Fred Worden (2010), Nina Yuen (2017) und Akram Zaatari (2008).